Archival pen on 300 gsm Saunders Waterford paper
A2 Landscape — 42 × 59.4 cm / 16.5 × 23.4 inches
Original artwork — one of one
£800
This work began with a familiar question—what Spirograph kit did I get for Christmas?
It’s something I’ve heard time and time again—a way of trying to decode the precision and repetition in my drawings. This piece leans into that assumption, but also pushes back, inviting a closer look.
At first glance, the looping forms suggest something mechanical—ordered, repeatable, predictable. But the longer you spend with it, the more it shifts. Ribbons of colour rise, twist, and overlap, building a sense of movement that feels less fixed and more alive.
In this piece, I’m drawn back to a long-standing fascination with suspension bridges—their sweeping arcs, tensioned lines, and the balance between strength and elegance. There’s a similar feeling here: structure held in motion, weight carried through flow, lines working together to create something both dynamic and stable.
Set against a field of fine horizontal lines, the composition hums with energy. The arcs lift and fall, crossing and weaving, creating moments of compression and release that pull the eye across the surface.
Working in landscape on A2 paper, this piece celebrates rhythm, repetition, and variation—where order meets instinct, and precision gives way to movement.
A nod to the question—but not the answer.
This is an original, one-of-one piece. Once it’s gone, it’s gone.
🖼️ This piece is unframed — the photo shows an example of how it could look framed
📸 Please note: some images are photographed at an angle to show surface detail.
Postage & Packaging
UK: £6
Europe: £8
Rest of World: £12
Archival pen on 300 gsm Saunders Waterford paper
A2 Landscape — 42 × 59.4 cm / 16.5 × 23.4 inches
Original artwork — one of one
£800
This work began with a familiar question—what Spirograph kit did I get for Christmas?
It’s something I’ve heard time and time again—a way of trying to decode the precision and repetition in my drawings. This piece leans into that assumption, but also pushes back, inviting a closer look.
At first glance, the looping forms suggest something mechanical—ordered, repeatable, predictable. But the longer you spend with it, the more it shifts. Ribbons of colour rise, twist, and overlap, building a sense of movement that feels less fixed and more alive.
In this piece, I’m drawn back to a long-standing fascination with suspension bridges—their sweeping arcs, tensioned lines, and the balance between strength and elegance. There’s a similar feeling here: structure held in motion, weight carried through flow, lines working together to create something both dynamic and stable.
Set against a field of fine horizontal lines, the composition hums with energy. The arcs lift and fall, crossing and weaving, creating moments of compression and release that pull the eye across the surface.
Working in landscape on A2 paper, this piece celebrates rhythm, repetition, and variation—where order meets instinct, and precision gives way to movement.
A nod to the question—but not the answer.
This is an original, one-of-one piece. Once it’s gone, it’s gone.
🖼️ This piece is unframed — the photo shows an example of how it could look framed
📸 Please note: some images are photographed at an angle to show surface detail.
Postage & Packaging
UK: £6
Europe: £8
Rest of World: £12